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Madhur Bhandarkar requests Karan Johar to transform title of his demonstrate Wonderful Lives of Bollywood Wives for THIS reason | Bollywood Bubble

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Madhur Bhandarkar requests Karan Johar to change title of his show Fabulous Lives of Bollywood Wives for THIS reason | Bollywood Bubble

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A handful of days back again we experienced witnessed the trailer of Netflix’s brand name new sequence ‘Fabulous Lives of Bollywood Wives’. Although the trailer received a blended reaction from the netizens, appears to be like like Madhur Bhandarkar is not at all joyful with the title of this truth collection.

Bhandarkar has referred to as out Karan Johar, who is the producer of ‘Fabulous Lives of Bollywood Wives’, and claimed that it is ethically and morally completely wrong of him to tweak and use the title ‘Bollywood Wives’ irrespective of his refusal. Bhandarkar took to his Twitter deal with to request Karan to not dent his undertaking.

Using to his Twitter take care of Madhur, requesting KJo to transform the title of his upcoming world wide web collection, wrote, “Dear @karanjoharU & @apoorvamehta18 had requested me 4 the title #BollywoodWives for web, which I refused, as my undertaking is underway. It is Morally & ethically incorrect u to tweak it to #TheFabulousLivesofBollywoodWives. Pls, do not dent my venture. I humbly ask for u to improve the title(sic).”

Reportedly, back in 2016, Bhandarkar had declared that he will be generating a film based on the wives of Bollywood stars. The filmmaker had registered the title ‘Bollywood Wives’ and KJo’s forthcoming exhibit is titled ‘Fabulous Lives of Bollywood Wives’. Bhandarkar feels KJo has applied his primary title by tweaking it a small. He also feels that it is unethical on aspect of KJo to use his title even with his refusal.

Earlier, chatting about Madhur’s film a resource had instructed Pinkvilla, “Madhur is at the moment producing a script centered on the star wives and searching ahead to translating it to celluloid. The film will be titled ‘Bollywood Wives’. The script will spotlight them in not-so-good gentle.

Coming back to, ‘Amazing Lives of Bollywood Wives‘, as the name suggests, the show will give a sneak-peek into the life of four star wives – Neelam Kothari (Samir Soni’s spouse), Seema Khan (Sohail Khan‘s wife), Maheep Kapoor (Sanjay Kapoor’s spouse) and Bhavana Pandey (Chunky Pandey’s spouse).

Also Read: Madhur Bhandarkar to make a movie dependent on star wives like Gauri Khan, Mira Rajput and Twinkle Khanna?

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It’s official: Andrew Scott is the greatest actor of our generation

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It’s official: Andrew Scott is the greatest actor of our generation

Andrew Scott: do I want to be him, snog him, or just watch everything he ever appears in? I think it’s all three. Either way, from now on I’m going to ask everyone I meet if they agree that he is the greatest actor of our generation. If they don’t, sorry, we cannot be friends.

Not everyone loved the BBC’s lavish adaptation of Nancy Mitford’s The Pursuit of Love (I did), but everyone who watched it agreed on one thing: Scott, who played louche bright young thing Lord Merlin, lit up every second of his screen time. As we watched him dancing to T-Rex in silk pyjama suit with a harem of beautiful people following him around, we wanted to have a pyjama party in his honour.

He became a legend of this nation as Fleabag’s Hot Priest, the gin and tonic-drinking clergyman who ensured that the second series of Phoebe Waller-Bridge’s hit show was even better than the first. It was an emotional rollercoaster: we sobbed and got hot under the dog collar. Paloma Faith spoke for us all when she infamously told Scott on the Graham Norton sofa that she’d needed “alone time” after watching the show.

BBC

But we bow down to him as the very best actor we have right now because of a long career of stellar performances, elevated by his own personal life philosophy. “Acting without humour is bad manners – it’s not the way human beings work,” he said last year in an interview for Elizabeth Day’s How To Fail podcast. That’s the key to his brilliance: he brings both humanity and levity to all of his characters.

The first time I ever saw him was on stage in Birdland at the Royal Court, back in 2014 as a rock star going off the rails in a metallic jacket. He’d already played Moriarty in Sherlock by then and won a Bafta for being the best thing in the show, but I had no idea who he was (I don’t watch things about men who are really good at doing maths in their heads). I still remember sitting at the back of the circle and thinking: that man is a star. His performance was vintage Scott: manic charisma, sexy but in a way that felt a bit dangerous, all with a vulnerable tenderness at its heart.

Fleabag finds religion in season 2 – but is it enough to save her? / BBC

He’s an actor who can do the biggies. In 2017 he played Hamlet, making the prince into a sensitive man whose life has become unmoored by grief. I saw the nearly four hour running time of Robert Icke’s production and went to the theatre with a visceral sense of martyrdom, but Scott made it feel like it wasn’t long enough. It was the first time I’d watched Hamlet and not fallen asleep; usually I wake up and everyone on the stage is dead. But Scott made it so that I could understand every word he was saying… suddenly I understood why everyone else liked it so much.

And as Garry Essendine in Noel Coward’s Present Laughter in 2019, he picked up a host of gongs including Best Actor at our Evening Standard Theatre Awards. Not only did his hilarious performance light up our summer, but the production had an important political meaning too, allowing the queer subtext in Coward’s work to be openly expressed. As Scott himself said in his acceptance speech, “I think sometimes [Coward is] accused of being a dusty old playwright but he smuggles through comedy really modern ideas about sexuality and gender. He sort of says it’s okay to live a life that’s less ordinary.”

We feel like we could have a deep and meaningful with him at 2am in a toilet

/ Theodora Films Limited & Moonage Pictures Limited/Robert Viglasky

But whatever he’s in, he always becomes the bit you never forget. Psychotic taxi driver in Black Mirror? Tick. Upper class World War One officer getting through the trauma with gallows humour in 1917? Tick. Welsh bookshop owner disowned by his family for being gay, who made us cry every tear in our body in Pride? Tick. Priest who would make you hotfoot to confession (even though you are an atheist) in Fleabag? As we know, tick, tick, tick.

His next project is playing Tom Ripley in a new mega-series about Patricia Highsmith’s enigmatic con artist, alongside Johnny Flynn and Dakota Fanning, and we already know Scott will make us forget every other Ripley depiction we’ve ever seen – apols Matt Damon.

It’s not just his first class acting chops, though. Scott has an electric quality to him that makes us feel intimately connected to him. Who else could have us hanging off his every ‘to be or not to be’ and also make us feel like we could have a deep and meaningful with him at 2am in a toilet?

Give Scott an Oscar. Give him a knighthood. Give him our phone numbers. Give him everything. We pledge allegiance to the way of the Scott.

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