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Kangana Ranaut calls Diljit Dosanjh ‘Karan Johar ka paltu’; singer hits back saying, “Dheley ki akal nai” | Bollywood Bubble

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Kangana Ranaut calls Diljit Dosanjh 'Karan Johar ka paltu'; singer hits back saying, "Dheley ki akal nai" | Bollywood Bubble

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Kangana Ranaut and Diljit Dosanjh’s Twitter war has escalated quite a lot as they have been calling each other names after Diljit bashed Kangana for misidentifying an old woman from the farmer’s protest. Diljit had asked how can someone be so blind, when he shared a video on his social media account where the old woman named Mahinder Kaur expressed disdain about Kangana.

Reacting to Diljit’s tweet Kangana hit back and called Diljit ‘Karan Johar Ke Paltu’. She wrote, “Ooo Karan johar ke paltu, jo dadi Saheen Baag mein apni citizenship keliye protest kar rahi thi wohi Bilkis Bano dadi ji Farmers ke MSP ke liye bhi protest karti hue dikhi. Mahinder Kaur ji ko toh main janti bhi nahin. Kya drama chalaya hai tum logon ne? Stop this right now (sic).”

But, just when we thought this ends here, well, it has only just began as the two stars were not going down without a fight. Diljit asked if Kangana is ‘paltu’ of all those who she has worked with. He wrote, “Tuneh Jitne Logon Ke Saath Film Ki Tu Un Sab Ki Paaltu Hai…? Fer To List Lambi Ho Jaegi Maalko Ki..?Eh Bollywood Wale Ni PUNJAB Wale aa .. Hikk Te Vajj Sadey Jhooth bol kar logo ko badhkana aur emotions se khailna woh toh aap achey se janti ho..😊 (sic).”

Diljit also said that only the ones from Punjab can put an end to Kangana’s drama.

To this Kangana hit back and called him ‘Chamcha’ and stood her ground for her earlier tweet that was deleted immediately. She wrote, “Oh chamche chal, tu jinki chat chat ke kaam leta hai, main unki roz bajati hoon,jayada mat uchal,main Kangana Ranaut hoon tere jaisi chamchi nahin jo jhoot boloon,maine sirf aur sirf Shaheen Baag wali protestor pe comment kiya tha, if anyone can prove otherwise I will apologise (sic).”

A fuming Diljit said that Kangana has spoken ill about the mothers of Punjab. He said, “Bolan Di Tameez Ni Tainu.. Kisey di Maa Bhen Nu..Aurat Ho Ke Dujeyq Nu Tu 100 100 Rs. Wali das di an..SADE PUNJAB DIAN MAAVA SADEY LAI RAB NE..Eh tan Bhoonda De Khakhar nu Shedh Leya Tu..PUNJABI GOOGLE KAR LI..👍 (sic).”

Kangana said that Diljit is standing for those who caused riots in Delhi. She said, “Punjabi samajh aati hai mujhe, jinhonne Delhi mein riots karvaye khoon ki nadiyaan bahae, dangge karvaye unko defend karte hue sharm nahi aati? Tujhe kya sharm aayegi, kjo kaise kaam deta hai sabko pata hai 🙂 (sic).”

Diljit said Kangana is making no sense by calling the mothers out on taking Rs 100. Bashing the actress, he wrote, “Aa JAA Aa JAA… @KanganaTeam Dheley Di Akal Ni Tainu.. Sadian Maava Nu Tu 100rs Wali Das dian.. Bollywood Di Dhamki Te Draava Kisey Hor nu Daee JAA Ke.. Asi VATT Kadhan Nu Hee Jamey an Tu Boldi Rahi an Bollywood waleya Nu..Tera Muh Pey Geya Har ek Nu Maada Bolan Da.. (sic).”

Calling Diljit a ‘dumbo, Kangana wrote back, “Oye dumbo baat wahi hai jab kisi ki citizenship gayi he nahin toh Saheen Baag dadi ne kiske kehne pe protests kiye? Jab MSP hataya he nahin toh phir wahi dadi kiske bhejne pe Farmers protests mein hissa le rahi hai? Kaun usko peeche se prompt karta hai when she speaks ?”

To which Diljit replied saying, “Aa JAA Aa JAA… Oye Bad Dimag Batmeez… Gal HO RAHI JIS MAA NU TU 100 rs. Dihadi wai Keh ke foto paee c.. Os Bebe Da JAVAB Sun Leya c Yaan Dobara Bheja.. Avi gal na ghumaa Hun.. GAL KAR NI BHAJJI DA .. Jod tod Bollywood ch chalda hona Tera.. Punjabi’an Naal Ni Chalna”

Kangana had also landed in legal trouble for her tweet against Mahinder Kaur.  According to an ANI report, advocate Harkam Singh has sent the notice to Kangana. Harkam Singh told ANI, “I sent a legal notice for a tweet misidentifying Mohinder Kaur as Bilkis Bano with an insinuation that she (Kaur) was available as a hired protestor for Rs 100. The notice gives Ranaut seven days to issue an apology failing which a defamation case will be pursued.”

Let’s wait and watch whether Kangana Ranaut apologises for her mistake or does she continue to stand her ground and bash others like Diljit Dosanjh for their support towards the farmer’s protest.

Also Read: Diljit Dosanjh bashes Kangana Ranaut for her misidentifying an old woman in the farmers’ protest

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Alice – Curiouser & Curiouser overview: a rabbit-hole worth diving down

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Alice - Curiouser & Curiouser review: a rabbit-hole worth diving down
T

he V&A’s mammoth display about Alice in Wonderland was thanks to open right before the pandemic, but it’s all the much better for a bit of delayed gratification. The only rabbit hole most of us have been down is how to make the fantastic sourdough, so it feels genuinely superior for the soul to wander around an exhibition which is an unapologetic celebration of mind-growing curiosity. It’s the best antidote soon after months of staring at screens.

Alice, the Mad Hatter and the Cheshire Cat are imprinted in our minds, but most of us try to remember the Disney-ified version of Alice in Wonderland – Mary Blair’s illustrations are legendary, but they are a little bit male gazey. Her Alice was all broad eyes and flowing blonde locks, while the source material is an altogether stranger affair. (Re-examining it at uni, I bear in mind pondering, “This e-book is weeeeird.”)

The exhibition kicks off with a deep dive into how Charles Dodgson – AKA Lewis Carroll – arrived up with the story back in the 1860s, in an era of emerging, enlightened suggestions about schooling, culture and the natural earth. As most of us know, he manufactured it up to entertain a youthful girl named Alice Liddell (a friendship which furrows contemporary brows), but he also had all this terrific murmuration of influences swooping as a result of his intellect. It’s thrilling to visualize Dodgson’s brain buzzing with all of these amazing new thoughts, if you can get past the label fatigue in the initial two rooms. 

A depth from Mary Blair’s thought artwork for the 1951 Disney movie of Alice’s Adventures in Wonderland

/ Disney

Dodgson recruited illustrator John Tenniel to carry the story to lifetime, and early sketches are on display screen listed here, along with a meticulous strategy for each of them. He then compensated to have the guide posted himself, placing himself alongside 50 Shades of Gray in the ‘canniest self-publishers ever’ corridor of fame. The reserve turned a phenomenon, spawning items, stage productions and movies. The rest of the exhibition explores the amazing grip Alice continue to has on the creativeness, from creatives as varied as the Japanese artist Yayoi Kusama to Heston Blumenthal.

There are costumes from shows at the Countrywide Theatre and the Royal Opera Home, political sketches from the New Yorker (Malice in Blunderland, of study course), and couture attire, all impressed by Carroll’s generation. In the course of the exhibition, scenes from the book are brought spectacularly to lifestyle by designer Tom Piper, from the Mad Hatter’s tea occasion to a giant chess board, and there are tons of interactive components to excite youthful website visitors also, like a VR headset and a corridor of mirrors.

Print By Peter Blake from the suite illustrating “Alice in Wonderland”

/ ©Victoria & Albert Museum

The show’s curators will have to have been spoilt for selection for this clearly show – when you start to search, Alice turns up everywhere you go (even on my head, it looks – now I realise why it is termed an Alice band). What emerges is a sense that the novel normally ends up reflecting unique attitudes and fears of the time. In the 1960s, she was co-opted by the psychedelic motion – blame the hookah-using tobacco caterpillar. In 1971, the tale was made use of in an academic movie to discourage children from applying medications it was speedily withdrawn upon the realisation that the groovy visuals truly produced using drugs seem quite desirable. And in 2000, Alice turned the issue of a violent movie match, returning to Wonderland following a stint in a psychiatric facility right after a dwelling fireplace killed her complete loved ones. 

Immediately after months of gray, boring days, the demonstrate feels particular. If a person could place this exhibition in a tiny bottle with a label declaring ‘drink me’, my guidance would be to devour it. 

Alice: Curiouser and Curiouser is at the V&A from Might 22 vam.ac.uk

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