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The camera can be removed from the phone, Oppo has submitted a patent for a removable camera module





At present, every smartphone brand is trying to make their devices attractive. Oppo is one of the brands that deserves praise in this regard. In recent times, this Chinese smartphone brand has been working to bring about fancy changes in the design of its smartphones. Just a few days ago, the company introduced the idea of ​​a rollable display smartphone. But they do not stop here! According to reports, Oppo has recently filed a patent for a smartphone with a removable camera module. Ninety-one mobiles found the patent on the World Intellectual Property Office’s website.

Oppo’s new patent includes pictures and some details of how the smartphone will work. One of the pictures shows a regular camera module on the back panel of the phone. However, the interesting thing is that this camera module can be removed from the base or top of the phone via the USB Type-C port. Another image, meanwhile, shows how the camera module can be moved to a 90-degree or 180-degree angle via a USB Type-C connector. Many think that the Oppo bendable design will probably be similar to the camera module of the Asus 6Z smartphone, which will allow users to take pictures from different angles.

Not only that, the patent looks like this camera module can come with a lithium battery and can be charged as needed. It can also support wireless technologies such as Wi-Fi, Bluetooth and NFC.

That being said, these patents may not be converted into commercial products. The removable camera is certainly an interesting concept, but it’s not uncommon for the company to be curious about how it uses this technology. In this context, brands like LG or Motorola have been working on this type of modular camera design before. So let’s see how much innovation Appo brings in the coming days!

A person who enjoys creating, buying, testing, evaluating and learning about new technology.


These Who Would like Me Dead evaluation: Jolie’s a giggle in this foolish thriller




Those Who Wish Me Dead review: Jolie’s a giggle in this silly thriller

ngelina Jolie was a funny lady (observe her riffing in Lady, Interrupted) who grew to become a humorous girl (see Maleficent), though she can swing the other way – it is really hard to continue to be jolly even though seeing motion pictures like Changeling or By the Sea. Fortunately, in her very first action film given that Salt, the 45 yr old actress-cum-worldwide icon is unquestionably up for a snicker.

Thrill-trying to get, secretly troubled “smoke-jumper” (somebody who ways in when fires are out of regulate) Hannah life in a tiny Montana town. Into her world will come 13-yr-outdated Florida university kid and murder witness Connor (Finn Minimal), on the run from two disgruntled assassins (Aidan Gillen and Nicholas Hoult). In between bitching about their penny-pinching employers, this homicidal pair deliberately start a forest blaze to misdirect area police, like Ethan (Jon Bernthal), who is Connor’s uncle, as effectively as Hannah’s ex.

The fiery explosions and chase sequences are handsomely shot, but the plot is undeniably absurd and the ominous/rousing soundtrack downright hokey. It is the performances and banter that make the challenge value watching.

Hannah teaches Connor an obscene tongue-tornado and has a bracingly unusual fascination in his budding sexuality (she assumes he’s captivated to blonde cheerleaders and offers him recommendations on how to “swap spit”. The place is not laboured, but Hannah is evidently in want of a few kisses herself). She also lances a boil of self-pity. When Hannah points out that her work has uncovered her to horrors, Connor claims he watched his mom die of most cancers. Jolie does miracles with the line, “Well, it’s unattainable to really feel sorry for myself all around YOU!”

Even greater are Hannah’s jokes about being old, skinny and exhausted. If you want to see Jolie in goddess manner, you will have to wait until November, when she appears in Chloe Zhao’s Eternals. This is not a automobile made to present that Jolie can nevertheless kick butt and the script, co-created by director Taylor Sheridan, tends to make powerful use of a supporting character Allison (Medina Senghore), who has a dry perception of humour and is greatly expecting.

Finn Minimal and Angelina Jolie as Connor and Hannah

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Expecting wives, in motion thrillers, are inclined to be sacrificial lambs, as was the situation in the recent Without having Regret, which Sheridan aided write. Possibly this is his bid for redemption because, as in A Peaceful Area, the procedures of the sport here are unique. Allison is only partly described by her standing as a mum (just as Hannah’s lack of little ones does not dominate). Hannah and Allison – who hardly ever share a scene collectively but offer you a united entrance – show a type of gnarly resilience that is actually extraordinary.

All in all, People Who Desire Me Lifeless is a casually progressive epic, although there is a random shot of Jolie in her bra that makes you question if studio execs believed this Hannah Montana wanted sexing up. If so, they’re morons! It’s like inquiring Chris Hemsworth to consider his shirt off – guaranteed to thrill specific users of the viewers, but wholly avoidable. Jolie doesn’t have everything to show. In or out of outfits, this sardonic scrapper is sizzling stuff.

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