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Divya Bhatnagar’s partner Gagan lashes out at Devoleena Bhattacharjee she hits back by sharing Divya’s assault photographs | Bollywood Bubble

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Divya Bhatnagar’s husband Gagan lashes out at Devoleena Bhattacharjee; she hits back by sharing Divya’s assault pictures | Bollywood Bubble

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Not too long ago, Devoleena Bhattacharjee shared a video wherever she lashed out at late actress Divya Bhatnagar’s partner Gagana aka Gabru. She accused Gagan of mentally and physically torturing Divya. Now, Gagan has released a movie slamming Devoleena for mocking Divya’s loss of life and attaining publicity out of it.

Blasting Devoleena, Gagan claimed, “Abhi tak toh most important yakin bhi nahi kar paya tha ki Divya mere saath nahi hain. Uss sadme se bahar nahi nikal paya principal abhi, aur tumne uski demise ka mazak banake publicity lena shuru kar diya? Mera goal tu hain Devoleena, most important tere se baat karne aaya. Tune aapne video primary khud settle for kiya ki tu char saal se Divya ke touch guy nahi thi. char saal nahin, maine che saal se tujhe Divya ke ird-gird nahi dekha. Sirf ek din tu Divya se milne mere ghar aaya tha jab major available tha. Tab tune mujhse right baat kyu nahi ki, jo baat tu aaj media ko bol rahi hain.”

You can enjoy the video clip in this article.

Devoleena gave it again to Gagan by sharing the shots of Divya’s assault marks and chats between Divya and her buddy. She wrote, “Ok so sharing couple of of the incidents and also the chats amongst divya and her friend and also her neighbour who is the witness of all….The assault she experienced gone by means of no can even imagin….Lets combat towards domestic violence and punish the culprit… #divyabhatnagarofficial”.

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Soon after Divya’s demise, her brother Devashish had revealed that he together with his spouse and children are setting up to lodge a criticism versus Gagan for domestic abuse. He also shared his chats with his late sister where by she experienced accused Gagan of beating her with belts.

Also Read: Devoleena Bhattacharjee lashes out at Divya Bhatnagar’s partner for torturing the late actress mentally and physically -observe video

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Thomas Becket at British Museum overview: this story however resonates

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Thomas Becket at British Museum review: this story still resonates
T

he 850th anniversary of the beginning of the excellent Londoner, Thomas Becket, was in 2020 and this exhibition was at first timed to coincide with it. Alas, you-know-what place paid out to the celebrations, so the British Museum is now marking the 851st anniversary of his birth. No make any difference. The sources aren’t specific about dates and this is as superior a calendar year as any to see the wonderful artefacts brought jointly to mark Becket’s existence and loss of life. Chief of them are the stunning stained glass home windows from Canterbury Cathedral, which glow in fantastical blues and assorted greens and yellows and purples. They are taken from the leading of tall windows… this may be the very first time in 800 several years that it’s been possible to see the energetic depth of the stories in the glass this shut up.

But there is significantly apart from. As we know, Becket was struck down at the altar of Canterbury Cathedral in 1170  by four of the king’s knights – a person of whom stirred up his spilled brains with the stage of his sword. What is impressive is how rapid the story unfold close to Europe, how fast Becket was canonised later on and how common devotion to him became. There are two eye-catching loans from Sweden: a person, a beautiful baptismal font from a small rural parish church, displaying the king offering orders to 1 knight, even though the many others set out, like so many Noggins the Nog, to do his bidding. One more is a copper reliquary exhibiting the execution the lid is adorned with two dragons’ heads, like a Viking longship.

a copper reliquary exhibiting the execution

The show brings household both Becket’s London origins and its, and his, cosmopolitanism. He was born in Cheapside (there’s no point out below of the legend that his mother was, excitingly, a Saracen princess) and the curators have gone to pains to counsel the vitality of the twelfth-century town. There are bone skates to display how boys skated on the frozen river, some gaming pieces, and a stone capital, with entwined serpents, from a church that Thomas would have recognised. Thomas may perhaps have spoken French at dwelling his father was a service provider in a polyglot mercantile town he went to Paris to review: the world he inhabited was nearly anything but inward-wanting.

Depth of Canterbury Cathedral’s Wonder window demonstrating the castration of Eilward of Westoning

/ The Chapter, Canterbury Cathedral

There are objects he owned right here – Thomas’s own (antique Roman) seal and an illuminated gospel he commissioned. There are treasures from his time which include a twelfth-century mitre, considered to be just one he left in France in his exile, and an alabaster panel showing his consecration, with traces of its vivid colours. England was popular in the middle ages for exquisite needlework and carved alabaster.

But it is not just static objects there’s an powerful dramatic rendering of the murder projected on the wall. It concludes with the Tudors and the banning of Becket by a further undesirable King Henry – the Eighth. Finest of all, there’s a reliquary at the end, with an actual tiny little bit of his skull – cue for a set off warning as you enter. This tale resonates, even now.

Thomas Becket: murder and the making of a saint. British Museum. 20 Might-22 August

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