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The Nokia Purebook X14 laptop in the Indian market has Intel’s i5 processor





After smartphones, feature phones and TVs, Nokia has entered the laptop market in India. Nokia Purebook X14, a mid-range laptop, was officially launched on Flipkart today. At just 1.1 kg lighter and 16.6 mm thin, the Nokia laptop will be available in a single configuration. Earlier, the Finnish company had introduced 55-inch smart TVs in India through Flipkart.

Price and availability of Nokia Purebook X14

The Nokia PureBook X14 is priced at Rs 59,990 on Flipkart. However, it is not going to be purchased right now. Pre-booking will start from December 16. With the purchase of the laptop, a 6-month subscription to Spotify Premium will be available for free. Made with an alloy of magnesium and aluminum, this laptop has a matte black finish.

Specification, Features of Nokia Purebook X14

The Nokia PureBook X14 laptop has a 14-inch FHD LED display with Dolby Vision. Which is surrounded by a 4.8 mm ultra slim bezel. Viewing angles up to 18 degrees can be found here. The laptop has a large touchpad with backlit keyboard and multi-gesture support.

The Nokia Purebook X14 uses Intel’s Tenth Generation Core i5 processor with a base frequency of 1.6 GHz and a turbo frequency of 4.2 GHz. For graphics, it has Intel UHD 720 graphics integrated. The laptop also comes with 8GB DDR4 RAM and 512GB NVMe SSD storage.

HD webcam will be available on this Nokia laptop for video calling or group chat. Windows Hello will be on the laptop for secure login. The Dolby Atoms speaker is on the laptop for two-way sound. Connectivity options include 5 GHz / 2.4 GHz dual band WiFi, Bluetooth 5.1, two USB 3.1 ports, a USB 2.0 port, USB Type-C 3.1 port, HDMI port, etc.


Gustave Caillebotte as Employee, Collector, Painter by Samuel Raybone overview




Gustave Caillebotte as Worker, Collector, Painter by Samuel Raybone review

way – for all that it is extremely significantly not the only way – of imagining about the relative worth of artists is in terms of the gap they would depart if we imagined the entire world without the need of them.

It may well be heresy to say so, but if we seem at the French Impressionists from these a position of watch, we could likely pull by with out either Pissarro or Sisley. The main cause is that – in spite of their undoubted charms – Monet could make up for an awful great deal of what they have to present.

How odd, thus, with the wisdom of hindsight, that Gustave Caillebotte (1848-94) must for so lengthy have been these kinds of a neglected man. In truth, outside of the magic circle of artwork aficionados, he is even now incomparably less of a domestic identify than both Pissarro or Sisley.

Oarsmen rowing on the Yerres by Gustave Caillebotte

/ Publisher handout

Yet the most unforgettable of his canvases – these types of as his Rue de Paris temps de pluie of 1877 in the Artwork Institute of Chicago, with its incredible viewpoint development and proto-cinematic cropping of varieties at the edge of the photo discipline – are incomparable in their evocation of the really feel of lifetime on the streets of nineteenth-century Paris.

What is additional, and with apologies to the chocolate-box tender focus of Renoir, amongst the Impressionists he is nearly uniquely gifted as a painter of the male and female nude. Observed from a British perspective, the simple fact that not a single one of Samuel Raybone’s illustrations is of a get the job done by Caillebotte in a United kingdom public selection is just about heartbreaking, and at the very same time lots of of the operates in problem – but only extremely sometimes the most effective of them – are continue to in private arms.

Was he staying punished for obtaining died younger or for not starving in a garret (he had funds and was a main collector of his fellow Impressionists)? This formidably intelligent assessment of his art is not generally the scholarly equal of quick listening (the sentence ‘My knowing of ideology is indebted to the Marxist-Lacanian principle of Slavoj Zizek.’  presents some thing of the flavour), but it is perfectly worthy of persevering.

Raybone’s standpoint on the artist is hugely unique, as is clear from the outset when he stages a good coup de théâtre by quoting references in the British push in 1890 to his collection as ‘magnificent’ and ‘an unparalleled achievement’, right before revealing that these eulogies were being of his stamp collection.

Gustave Caillebotte as Employee, Collector, Painter by Samuel Raybone (Bloomsbury Visible Arts, £95)

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