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Tandav Controversy Row: Ali Abbas Zafar shares a ‘quick update’ just after issuing an apology | Bollywood Bubble



Tandav Controversy Row: Ali Abbas Zafar shares a 'quick update' after issuing an apology | Bollywood Bubble

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Amazon Prime Video’s most up-to-date presenting Tandav has been getting flak on social media. A section of the viewers to political leaders, lots of have taken offence for allegedly hurting ‘religious sentiments’ of Hindus in the internet collection. Also, problems have been lodged towards the very same. Yesterday, the staff introduced a assertion on the controversy row and apologised. Creator, director and producer Ali Abbas Zafar shared the statement on his Twitter tackle and sincerely apologised for possessing unintentionally hurt the sentiments.

Soon after issuing the apology, Ali Abbas Zafar took to Twitter to share a ‘quick update’ with netizens. He shared that the team of Tandav had been in ‘further engagement’ with the Ministry of Info & Broadcasting to ‘resolve the concerns’. He also wrote that they benefit ‘continued patience and support’  and will have a ‘solution shortly’.

His tweet read through: “We just want to share a swift update with everyone. We are in even more engagement with the Ministry of Facts & Broadcasting to resolve the problems that have been elevated. We value your ongoing patience and assistance, and really should have a alternative shortly.”

For the unversed, it all commenced with a scene of the website sequence in the to start with episode of Tandav. It is for the duration of a play Mohd Zeeshan Ayyub (Shiva Shekhar) performs Lord Shiva and suggests, “Azaadi, what the…?” The narrator then tells Lord Shiva that he demands to do one thing to strengthen his attractiveness on social media as the attractiveness of Lord Ram is getting. This scene created a big uproar on social media. Bharatiya Janata Social gathering (BJP) MP Manoj Kotak wrote to Data and Broadcasting Minister Prakash Javadekar and sought a ban on Tandav. MLA Ram Kadam also demanded the removing of the section of Lord Shiva and an apology from Mohd Zeeshan Ayyub. An FIR was filed from Amazon India primary articles head Aparna Purohit, Ali Abbas Zafar, producer Himanshu Krishna Mehra, author Gaurav Solanki and other folks at the Hazratganj police station of Lucknow, Uttar Pradesh. Former UP chief minister, Mayawati also tweeted that for ‘peace and harmony’ the objectionable scene must be taken off from the world wide web-collection.

Tandav stars Saif Ali Khan, Dimple Kapadia, Kumud Mishra, Tigmanshu Dhulia, Mohd. Zeeshan Ayyub, Dino Morea, Sunil Grover, Gauahar Khan, Amyra Dastur, Kritika Kamra and Sarah Jane Dias among some others.

Also Read through: Tandav Row: Ali Abbas Zafar concerns ‘sincere apologies’ on behalf of solid & crew


Theaster Gates: A Clay Sermon assessment: it’s a ought to-see



Theaster Gates: A Clay Sermon review: it’s a must-see


he centrepiece of this present is a fantastically shot video clip, created this yr. It finishes with archive footage of a young Theaster Gates telling an interviewer that he is “dying to do a shorter movie about clay”. It took the 48 12 months outdated a though to do it, but it was value the wait.

We see Gates in a derelict brick manufacturing facility in snowbound Montana, singing at the potter’s wheel and heaving a ceramic perform from a kiln. He and his band the Black Monks’ gospel songs accompanies these hanging sequences and extra archival imagery some discovered, some personalized. It is a relocating portrait of the artist and a medium that’s entwined in his lifestyle with sacred tune, faith and neighborhood.

Gates examined ceramics with standard artisans more than 20 decades back in Tokoname, Japan. But he was also urged to acquire his possess design and style. Little by little he homed in on the principle of Afro-Mingei, fusing Japanese philosophy and folks traditions with African American society. But before we see the fruits of this notion, we’re provided a mini historical past of ceramics, with financial loans from the Victoria and Albert Museum. 4 display conditions get us from ancient China and Iran to the modernism of Lucie Rie. But as nicely as illustrating exceptional historic works, Gates exhibits us the medium’s a lot more poisonous earlier, with hideous ceramic caricatures of Black persons borrowed from Ed J Williams’s collection of racist ephemera.

With these hideous tchotchkes is a storage jar produced by David Drake, or Dave the Potter, an enslaved guy who worked in potteries in South Carolina and was in a position to make extensive, daring vessels often inscribed with strains of poetry, when it was illegal for enslaved individuals to create. The jar below is dated 1862, when The us was at war around slavery. It’s a amazing moment.

Past these cabinets Gates’s ceramic performs are shown amid other contextual vitrines and objects. There is a homage to the American ceramic sculptor Peter Voulkos future to Voulkos’s personal raw, dynamic function. A brick press and moulds are demonstrated with beautiful white glazed bricks and one of Gates’s works honoring George Black – “alchemist of earth and maker of brick”, as Gates when described him. Black’s bricks are stacked on a steel stand and therefore imbued with the elegant ability of minimalist sculpture.

Just after the contextual materials downstairs, upstairs is pure Theaster: outstanding pieces riffing on that background below, as properly as modernist sculpture. Gates’s ceramic pieces are displayed on and framed by wood and stone, instantly evoking Brancusi.

In them, he brilliantly fuses own references, like the use of tar – which his father used in his function as a roofer – with African American cultural emblems, like the bash-stained rug from the penthouse of the Johnson Publishing Business, which printed the Black magazines Ebony and Jet. On the rug’s bold orange, tan and brown geometric pattern sit a chair inspired by historic African objects and a clearly Asian-influenced glazed stoneware vessel – pure Afro-Mingei.

It is a magnificent screen: upstairs at the Whitechapel has never seemed so superior. This beautifully judged and beautifully paced demonstrate is a will have to-see.

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