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Wha’gwan Movie Festival: telling the stories of youthful black Londoners




Wha’gwan Film Festival: telling the stories of young black Londoners

All the things is about room,” claims Trevor Blackman, founder of the Wha’gwan Movie Festival, describing the motivations behind this two-7 days party, which showcases the creative imagination of younger black Londoners. “It’s about supplying youthful men and women the room to develop, to mix, to discussion, to be viewed and listened to.”

The festival launches its initially-ever version on April 12, with free of charge on line screenings of 22 films and 4 masterclasses. It is the most up-to-date venture from Blackman’s APE Media — the Newham-centered charity that assists to acquire the life and professions of youthful people, in the cash and all-around the country, by means of the media of movie and tunes. Numerous of individuals to have benefited from the charity’s function — some 15,000 men and women aged 10 to 24 because 2004 — have occur from disadvantaged backgrounds, been excluded from faculty, lived with mental overall health concerns or been concerned in the legal justice technique.

In 2018, APE Media ran Newham Rising, a Dwelling Office environment-backed challenge that requested youthful folks to convey their views on knife criminal offense in the neighborhood spot, and what can be performed about it. Some of the individuals responded with limited films, which gave rise to the idea of undertaking a bigger movie festival. The name, Wha’gwan, came from Blackman’s want to talk to particularly that amid all the upheaval of the Black Life Make any difference protests, shut universities, an economy in freefall and the Covid-19 lockdowns, what’s really likely on in the lives of younger, black Londoners?

“These young men and women know the issues,” Blackman claims. “They will chat about training, they will converse about work, they will chat about gender identification and past, what it is to be LGBT+ within the black local community currently. They can talk about Universal Credit score, they can talk about food insecurity and what it seriously indicates. They’re the storytellers of tomorrow.”

Esther-Rennae Walker

/ Handout

One of these storytellers is Esther-Rennae Walker, a 21-calendar year-outdated from Romford whose film, 56 Black Males, is a single of Wha’gwan’s standout inclusions — a superbly shot, style-spanning micro-limited that picks away at the detrimental stereotypes foisted onto black adult men by today’s culture.

The 3-moment film is crafted around a poem Walker wrote, getting inspiration from the 56 Black Males task, in which photographer Cephas Williams took portraits of black guys, all sporting hoodies. Members ranged from a plumber doing the job at Battersea Power Station, by way of to business enterprise house owners, cooks, choreographers, NHS staff, podcasters, Uber motorists, dairy-cost-free chocolate makers and even the Labour MP for Tottenham, David Lammy.

The idea of banishing reductive perceptions and as an alternative highlighting all the complexities of life as a black male is some thing that struck a chord with Walker. “I cannot talk on black adult males because the only commonality we share is that we’re black,” she claims, “and staying a male is a fully different expertise, so I’m marginally ignorant in that perception. But I do sense like what I have observed represented, and what mates and household have informed me, is that they have to deal with this stigma. And it is not a genuine representation of them.

“I feel there are so a lot of nuances and quirks about black men that we just never see on mainstream media, and we really do not genuinely talk about that significantly,” she adds. “Also, being a person, and the stigmas that arrive with that, you just truly feel that kind of double-layered force to strip by yourself, or present on your own in a individual way when you know there are so quite a few other issues about you.”

As Walker points out, black adult men have been “indoctrinated” by a culture that tells them what they can and simply cannot be or, as the narrator in the movie puts it, “all the colours of the rainbow that I seemingly cannot see”.

“I like to convey creativity into it,” Walker states, “and think about a land the place they don’t have to dress in a mask, or exactly where they can aspiration ferociously, and it not be like, ‘Oh, you are staying over-ambitious.”

There’s certainly no absence of ambition in the films showcased at Wha’gwan, even with all the restrictions of the past 12 months. The inclusions cross several filmmaking borders, from spoken-phrase poetry items and animations to hyper-real looking portrayals of racist microaggressions and semi-surreal explorations of the outcome social media is owning on youthful generations.

“They are remarkable,” Blackman states. “All you’re performing is expressing is here’s a camera and, in some cases, here’s a Covid-secure area as effectively. And they’ve defeat it. They’ve thought outdoors of the box.”

Apart from just celebrating the inventive capabilities of these young filmmakers, the festival is also about encouraging them make connections for their long run professions. Walker very first satisfied Blackman at Newham Climbing, which gave her the contacts to get included in Wha’gwan — a very important relationship at a time when in-individual networking is off the cards.

Trevor Blackman

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“Filmmaking is these types of a bizarre industry due to the fact no-one teaches you what to do, you just have to uncover a way into a area and then anyone will acquire you under their wing and be like, ‘That’s that, and which is that’,” Walker says.

“I imagine it is challenging to get into those spaces, but after you do, I discover in particular within the black British community, persons will take you underneath their wings, because they know the battle, and the struggle is not quick.”

Walker suggests that, at this early issue in her profession, she’s focused more on making those people bridges than implementing for conventional funding. When I talk to Blackman afterwards, he states that if he were to advise Walker, he would say she should not prevent heading to those people standard funders, but alternatively, “just go differently”.

“You do not go with cap-in-hand, expressing, ‘Please sir, can I have some more’,” Blackman points out. “You say, ‘Look, what I’m bringing — the currency I’m bringing’.”

It does feel as though, right after a criminally extended time, black British filmmakers, actors and their stories are finally getting the awareness and praise they should have. Michaela Coel has been rightly held up as a pioneer for I Could Destroy You Steve McQueen shone brilliant mild on West Indian historical past with his phenomenal Modest Axe collection and the movie Rocks, about a black schoolgirl making an attempt to treatment for her more youthful brother, justifies each one of the 7 nominations it bought at this year’s Baftas.

And festivals these types of as Wha’gwan will verify the future is dazzling. But as Blackman claims, now “it’s about retaining the momentum”.

“We’ve just obtained to continue to keep going,” he provides. “Whether it is Steve McQueen or Esther, everybody’s accomplishing their little bit to travel it through. That’s the important.”


‘Finding this community is huge’: story of world’s first homosexual rugby group captured on film




‘Finding this community is huge’: story of world’s first gay rugby team captured on film

Eammon Ashton-Atkinson was searching for an fulfilling way to counteract the proverbial Heathrow Injection, the immediate weight acquire that can befall new arrivals in London, when he listened to about the Kings Cross Steelers.

The world’s to start with gay rugby club was fashioned in 1995 by a group of good friends consuming in a pub near the station, and has because develop into a trail-blazing force in LGBTQ rugby, central to a globally network of extra than 70 inclusive golf equipment. Russell Tovey’s boyfriend Steve Brockman is on the staff (he wears rainbow socks for game titles). Now it is the matter of a new documentary, Steelers.

Ashton-Atkinson, an Australian Television set producer who moved listed here at the finish of his twenties, experienced an innate enthusiasm for rugby, but he hadn’t had considerably to do with the match since his schooldays, when he was the goal of vicious homophobic bullying that peaked in sports activities lessons.

“I got known as each title beneath the sunlight to the level wherever I would just go down to the audio area and practise the piano rather,” he remembers.

Fast ahead a 10 years or so, and Ashton-Atkinson reached out to the Steelers, only to understand the squad was oversubscribed. “I observed out in which they ended up teaching and rocked up in any case,” he remembers. “I’m pretty persistent, and when I moved to London I experienced this sense of, it is now or never”.

He was hooked right away. “For people of us who had been excluded from activity at college, who had been instructed we did not belong or designed to really feel not comfortable, obtaining this particular neighborhood in which you go to war with your mates is substantial,” he claims.


Acquiring beforehand struggled with his psychological overall health, Ashton-Atkinson states he benefited enormously from rediscovering rugby with out fearing the intolerance that had marred his childhood activities. In 2018, the workforce was getting ready to travel to Amsterdam to take part in the Bingham Cup — a biannual intercontinental tournament named following Mark Bingham, a gay rugby player who saved life by aiding to end United Flight 93 from reaching its focus on all through the 9/11 attacks — when Ashton-Atkinson endured an damage that would maintain him from playing.

Not information with spectating, he rented some cinema-common machines and established about filming the tour for what would come to be his new documentary, Steelers.

For the film, Ashton-Atkinson turned his digital camera on teammates like Andrew McDowell, an African-Colombian American within centre whose besequinned off-pitch drag persona Drewalicious raises eyebrows between the club’s aged guard, and Welshwoman Nic Evans, the Steelers’ then-director of rugby who talks movingly about her possess activities as a girl navigating the male-dominated earth of rugby, and her tireless devotion to her fees. “I imagine their self esteem is a thin veil more than a deficiency of self-belief,” she problems all through the movie.

Recreation faces: Steelers player Steve Brockman, previously mentioned left, with his boyfriend, Russell Tovey

/ Getty Images

But Ashton-Atkinson states the person who has struck the most resonant chord with audiences is a man who initially didn’t want to take part at all. In contrast to Ashton-Atkinson, 38-calendar year-aged Simon Jones was a rugby insider whose formative decades ended up invested steeped in the tradition of the game.

“My parents lived 30 seconds from Moseley Rugby Club in Birmingham, and I try to remember campaigning for them to get me about the road from a incredibly younger age,” he tells me in excess of Zoom.

A common younger man who “was into anything that was outdoor and sporty”, Jones states he realized that he was homosexual from the age of 10 but feared that his sexuality would upend his “happy” existence. He settled to stay a solitary psychological existence, with the family’s pet canine Rolo his template for uncomplicated devotion to other people. “I always say I dependent my lifetime decisions around a black Labrador,” he jokes in one particular of the film’s most poignant moments.


Jones put in his twenties ascending the occupation ladder in London when enjoying competitively for golf equipment in this article and in Birmingham, devoting every single instant of leisure time to his rugby buddies. He was, he jokes, “the most reliable wingman at Infernos ever”, referring to the Clapham High Avenue nightclub, an infamous den of exuberant twentysomething heterosexuality.

“I definitely imagined that I’d be ready to cope,” Jones tells me. “And then when truth hit, I just shed handle of the circumstance.”

Protracted durations of immobilising melancholy preceded an personal injury that manufactured him re-appraise his foreseeable future in rugby. His subsequent rehabilitation gave him the self esteem to achieve out to Steelers in his early thirties, and his loved ones have been supportive considering that he produced the decision to come out. “Steelers was a lifeline in terms of me becoming in a position to consider what daily life could be like on the other aspect of my isolation,” he suggests.

A handsome, sociable, effective law firm who talks animatedly about his need to enable long run generations of homosexual gamers via his affiliation with Steelers, Jones is the first to accept how incongruous it looks that somebody like him living in 21st century London ought to have had to continue to be closeted for so very long. It would have aided enormously, he states, experienced there been prominent illustrations of openly homosexual players at the very top of the match he liked.


Of pioneers these as Gareth Thomas, the former Wales global who designed heritage by coming out to the close of his profession in 2009, Jones says: “They are surprisingly courageous but it hasn’t been straightforward for them — they’ve endured substantial emotional turmoil and sacrifice.

“For all the progress, we’re evidently however not in a location where folks can just breeze by means of remaining by themselves, and I’m truly searching ahead to that working day.”

Ashton-Atkinson’s film only begun to consider form a 12 months right after the Steelers returned from Amsterdam, when Wallabies star Israel Folau — 1 of the most important names in Australian rugby and a guy with a historical past of homophobic tweeting — took to Instagram with a publish declaring that “Hell Awaits” homosexuals. It led to the termination of his $4 million contract with Rugby Australia.


Reviews like Folau’s “are just stupid and unnecessary, and they lead to actual harm”, states Ashton-Atkinson. LGBT persons are much more possible to encounter mental wellbeing difficulties, homelessness and domestic abuse when when compared with the normal populace.

But the Folau episode did at least supply the impetus for Ashton-Atkinson, who married a Steelers teammate and now lives in Washington DC, to dig out his footage from the Bingham Cup and start out making Steelers the motion picture.

It seems ironic that Folau — who is presently trying a return to the Australian recreation with marketing assistance from the country’s Christian Foyer — ought to have inadvertently presented lifestyle to a movie that’s these types of a persuasive testimony to the energy of inclusive activity. And this week it starts streaming to the international audience it warrants. Wonderful attempt, mate.

Steelers is on Amazon Prime now

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